Jan Gryka, HERE AND NOW.

Quite some time passed since the first exhibition of Marzanna Morozewicz in Galeria Biała in Lublin in 1996 and many changes have also appeared in her creation. Generally speaking, her first paintings were abstract and included geometrical forms connected with a painter’s gesture. They had some traits, say, of contemplation or meditational value, though they were not “sharp” and did not reveal the point of those early paintings’ cycles. From my perspective, the paining seemed to result from the process of academic studies, which does not, of course, undermine its quality, but only breaking the path introduced “the thing” which now defines the art of Marzanna Morozewicz.

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